Relata el exterminio que emprendió el Ejército Argentino en 1879 bajo el nombre de "Conquista del Desierto". La campaña tuvo como objetivo de exterminar a la Nación Mapuche y Ranquel.
Showing posts with label videos. Show all posts
Showing posts with label videos. Show all posts
Ulises de la Orden
Tierra adentro (2012)
Relata el exterminio que emprendió el Ejército Argentino en 1879 bajo el nombre de "Conquista del Desierto". La campaña tuvo como objetivo de exterminar a la Nación Mapuche y Ranquel.
Relata el exterminio que emprendió el Ejército Argentino en 1879 bajo el nombre de "Conquista del Desierto". La campaña tuvo como objetivo de exterminar a la Nación Mapuche y Ranquel.
El hogar al reves
Upside Down Home
Itzel Martinez del Canizo, 2014
Synopsis of the film:
Gerardo, Omar and Santos are teenagers living in a low-income housingin Tijuana. In addition to the great friendship, they share a deep emptiness in their homes; their mothers work all day at the factories. In their own personal ways, they cope with monotony, loneliness and the desire to thrive in a hostile place, which inevitably makes us question the results of development and progress in the contemporary large cities.
This is a story of realities and juvenile illusions in a context of difficulties and shortage, where dreams meet unexpected endings.
FRONTLINE
How did the government come to spy on millions of Americans? In United States of Secrets, FRONTLINE goes behind the headlines to reveal the dramatic inside story of the U.S. government's massive and controversial secret surveillance...
Indigenous Communities and Media
Navajos make their own films
The Kayapo
The Kayapó (Disappearing World Series) Producer: Michael Beckham; Director: Michael Beckham; Camera: Michael Blakeley; Sound: David Woods; Editor: Paul Griffiths‐Davies; Consultant Anthropologist: Terence Turner; Distributor: Enquiries to Granada Television International, 1987, 52 min.
In the summer of 1966, seven Navajo community members from Pine Springs, Arizona, were the subjects of one of the most provocative experiments in cognitive and visual anthropology yet completed, the Navajo Film Project,resulting in Sol Worth and John Adair’s seminal work
Through Navajo Eyes, as well as seven short films produced by Navajo filmmakers that garnered worldwide attention in their own right. In 2011, the films were repaired and returned to the Navajo Nation for public screenings, the first step in a process of repatriation and resignification that mirrors the repatriation of other visual media to Navajo and indigenous communities. The return of the films offersa unique opportunity to reexamine the meanings of the films and the project itself, reframing the discussion around issues of visual sovereignty, community reengagements, and “reclaiming” Diné/Navajo histories.
Through Navajo Eyes, as well as seven short films produced by Navajo filmmakers that garnered worldwide attention in their own right. In 2011, the films were repaired and returned to the Navajo Nation for public screenings, the first step in a process of repatriation and resignification that mirrors the repatriation of other visual media to Navajo and indigenous communities. The return of the films offersa unique opportunity to reexamine the meanings of the films and the project itself, reframing the discussion around issues of visual sovereignty, community reengagements, and “reclaiming” Diné/Navajo histories.
Leighton C. Peterson.
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